Like many Western musicians, the Indian rhythmic system known as Konokol has always been a bit of a mystery to me. I’ve heard the seemingly complex. John McLaughlin Konnakol. Richie Jackson; 7 Konokol-The Gateway to Rhythm Chapter 1 The Gateway To Rhythm – John Mclaughlin – School of Rhythm. Konnakol (also spelled Konokol, Konakkol) (Tamil: கொன்னக்கோல்) is the art of Prominent among these is John McLaughlin, who led the Mahavishnu Orchestra and has long used konnakol as a compositional aid.
|Published (Last):||16 June 2018|
|PDF File Size:||7.64 Mb|
|ePub File Size:||16.56 Mb|
|Price:||Free* [*Free Regsitration Required]|
Konnakol also spelled Konokol, Konakkol Tamil: Konnakol is the spoken component of solkattuwhich refers to a combination of konnakol syllables spoken while simultaneously counting the tala meter with the hand. Sri Thetakudi Harihara Subash Chandran is a well-known proponent.
The Gateway of Rhythm
Musicians from a variety of traditions have found konnakol useful in their practice. Prominent among these is John McLaughlinwho led the Mahavishnu Orchestra and has long used konnakol as a compositional aid.
Selvaganeshwho plays alongside McLaughlin in the group Remember Shaktiand Ranjit Barotwho plays with McLaughlin in the group 4th Dimensionare other noted konnakol virtuosos. Subash Chandran’s disciple Dr Joel, who teaches konnakol in the U. Chandran released an instructional DVD on konnakol in Jazz saxophonist, konnakol artist, and composer Arun Luthra incorporates konnakol and Carnatic music rhythms as well as Hindustani classical music rhythms in his work.
Konnakol should not be confused with the practice in Hindustani music the classical music of northern India of speaking tabla ” bols “, which indicate the finger placement to be used by a percussionist.
By contrast, konnakol syllables are aimed at optimising vocal performance, and vastly outnumber mclaughlkn commonly used finger placements on mridangam or any other hand percussion instrument. Further, all the differences between Carnatic and north Indian rhythms apply equally to konnakol and tabla bols.
John McLaughlin – The Gateway to Rhythm download
The artist improvises within a structure that interrelates with the raga being played and within the talam preferred in the compositions. In mridangamkanjiraor ghatamthe percussion is limited to jonokol characteristics of their structure and construction: The human voice has a direct and dramatic way of expressing the percussive aspects in music directly.
Trichy Shri R Thayumanavar gave a rebirth to konnakol. From Wikipedia, the free encyclopedia.
Usage [ edit ] Musicians from a variety of traditions have found konnakol useful in their practice. Ganesh Vinayakram, The Gateway to Rhythm. DVD Mediastarz Monaco, Retrieved from ” https: Articles containing Tamil-language text All articles with unsourced statements Articles with unsourced statements from July Views Read Edit View history.